{"id":71,"date":"2024-12-18T18:47:14","date_gmt":"2024-12-18T18:47:14","guid":{"rendered":"https:\/\/projekt-repetycja.pl\/?p=71"},"modified":"2025-03-24T15:06:09","modified_gmt":"2025-03-24T15:06:09","slug":"rekonstrukcja_01","status":"publish","type":"post","link":"https:\/\/projekt-repetycja.pl\/en\/2024\/12\/18\/rekonstrukcja_01\/","title":{"rendered":"Reconstruction_01"},"content":{"rendered":"<figure class=\"wp-block-video\"><video controls muted src=\"https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2024\/12\/ANIMATION_KEILOWA_OST.mp4\" playsinline><\/video><\/figure>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-container-core-group-is-layout-5dea0e90 wp-block-group-is-layout-constrained\" style=\"margin-top:0;margin-bottom:0;padding-top:var(--wp--preset--spacing--50);padding-bottom:0\">\n<p class=\"has-medium-font-size translation-block\" style=\"padding-right:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20)\">JULIA KEILOWA<br>(n\u00e9e Ringel) born on July 16, 1902, in Stryj into a Jewish family, Julia Keilowa was a sculptor and designer, best known for her industrial forms, including the iconic <em>Royal Applej<\/em> sugar box,  <em>Sphere<\/em> sugar box, and  <em>Double-Sickle Ashtray<\/em>. She began her artistic studies in 1921 at the State School of Industry in Lviv, in the Department of Construction and Art. In 1922, she married Ignacy Keil, and a year later, she gave birth to their son, Marceli. From 1925, she continued her education at the Warsaw Academy of Fine Arts in the studio of Tadeusz Breyer. She was a member of the artistic cooperative Forma and the artists' cooperative \u0141ad. From 1932, Keilowa collaborated with leading Warsaw silverware manufacturers, designing for producers such as Fraget, Norblin, and Bracia Henneberg. In 1937, she received an award at the Paris Exhibition, and in 1938, she held a solo exhibition at the Institute of Art Promotion. In 1939, she decided to move to Lviv to be with her family. Despite difficult conditions, she managed to establish a ceramics workshop there. In 1941, she returned to Warsaw, where she and her family were forced into hiding. In 1943, she was arrested on the street and never returned to her hiding place. The exact location, date, and circumstances of Julia Keilowa's death remain unknown.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full wp-container-content-5dc44c30\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_1.png\" alt=\"\" class=\"wp-image-114\" style=\"aspect-ratio:16\/9;object-fit:cover\" srcset=\"https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_1.png 1920w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_1-300x169.png 300w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_1-1024x576.png 1024w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_1-768x432.png 768w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_1-1536x864.png 1536w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_1-600x338.png 600w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n\n\n\n<p class=\"has-medium-font-size translation-block\" style=\"padding-right:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20)\">DOUBLE-SICKLE FORGED ASHTRAY<br>\nThe sickle-shaped ashtray is a distinctive form among the objects designed by Julia Keilowa. Several forged variants of this object are known, including the double-sickle, tri-sickle, and versions featuring the designer\u2019s signature. Julia Keilowa created a smooth-surfaced variant of the <em>Double-Sickle Ashtray<\/em> for Fraget, which did not require manual forging. After the war, the Warsaw Silverware Factory (the nationalized pre-war Fraget workshops) used pre-war models to manufacture objects based on Keilowa\u2019s designs, including the <em>Double-Sickle Ashtray<\/em>. In 1957, the ashtray's image was included in the Jewelry Products Catalog of the Ministry of Internal Trade. The work remained unsigned, and the artist, along with her achievements, remained unrecognized for many years.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1080\" src=\"https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_3.png\" alt=\"\" class=\"wp-image-116\" style=\"aspect-ratio:16\/9;object-fit:cover\" srcset=\"https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_3.png 1920w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_3-300x169.png 300w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_3-1024x576.png 1024w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_3-768x432.png 768w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_3-1536x864.png 1536w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_3-600x338.png 600w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_4-1024x576.png\" alt=\"\" class=\"wp-image-117\" srcset=\"https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_4-1024x576.png 1024w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_4-300x169.png 300w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_4-768x432.png 768w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_4-1536x864.png 1536w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_4-600x338.png 600w, https:\/\/projekt-repetycja.pl\/wp-content\/uploads\/sites\/6\/2025\/02\/KEILOWA_4.png 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-medium-font-size translation-block\" style=\"padding-right:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20)\">RECONSTRUCTION OF THE DOUBLE-SICKLE FORGED ASHTRAY<br>The 3D model of the ashtray was created based on a black and white photograph of Forged Ashtrays: Bowl, Two-Sickle and Three-Sickle by Benedict Jerzy Dorys from 1935 (National Digital Archives, 3\/1\/0\/11\/3487). Some of Keilowa\u2019s ashtrays and other objects have survived to this day, serving as references for the creation of the 3D model. The surrounding environment and lighting of the object were based on documentation of Keilowa\u2019s works, also created by Benedykt Jerzy Dorys.<\/p>\n\n\n\n<p class=\"has-medium-font-size translation-block\" style=\"padding-right:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20)\">Bibliography: <br><em>Julia Keilowa. Projektantka art d\u00e9co<\/em>, red. Aleksandra K\u0119dziorek, Ma\u0142gorzta Makowska, Muzeum Warszawy, Warszawa 2024 <br><em>Julia Keilowa. Metaloplastyczka na nowe czasy<\/em>, Ma\u0142gorzata Czy\u0144ska, Wydawnictwo Marginesy, Warszawa 2024 <br><em>Zadanie; forma. Pracownia profesora Tadeusza Breyera w warszawskiej Akademii Sztuk Pi\u0119knych w latach 1923-1939 <\/em>Anna Rudzka, Akademia Sztuk Pi\u0119knych w Warszawie, Warszawa 2024<\/p>\n\n\n\n<p class=\"has-medium-font-size\" style=\"padding-right:var(--wp--preset--spacing--20);padding-left:var(--wp--preset--spacing--20)\"><\/p>\n<\/div>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>JULIA KEILOWA<br \/>\nz domu Ringel, rze\u017abiarka i projektantka urodzona w 16 lipca 1902 roku w Stryju w \u017cydowskiej rodzinie. Znana przede wszystkim jako autorka form przemys\u0142owych, w tym kultowej cukiernicy Jab\u0142ko Kr\u00f3lewskie, cukiernicy Kula i Popielniczki Dwusierpowej.<br \/>\nStudia artystyczne rozpocz\u0119\u0142a w 1921 roku w Pa\u0144stwowej Szkole Przemys\u0142owej we Lwowie na\u00a0Wydziale Budownictwa i Sztuki. W 1922 roku wzi\u0119\u0142a \u015blub z Ignacym Keilem, a rok p\u00f3\u017aniej urodzi\u0142a syna Marcelego. Od 1925 roku kontynuowa\u0142a nauk\u0119 w Warszawskiej Szkole Sztuk Pi\u0119knych w pracowni Tadeusza Breyera. Nale\u017ca\u0142a do sp\u00f3\u0142dzielni artystycznej Forma i sp\u00f3\u0142dzielni artyst\u00f3w \u0141ad. Od 1932 roku wsp\u00f3\u0142pracowa\u0142a z czo\u0142owymi warszawskimi producentami plater\u00f3w, projektowa\u0142a dla wytw\u00f3rc\u00f3w: Fraget, Norblin, Bracia Henneberg. W 1937 roku otrzyma\u0142a nagrod\u0119 na Wystawie Paryskiej, a w 1938 roku mia\u0142a indywidualn\u0105 ekspozycj\u0119 prac w Instytucie Propagandy Sztuki.<br \/>\nW 1939 roku zdecydowa\u0142a si\u0119 na przeprowadzk\u0119 do rodziny do Lwowa, tam pomimo trudnej sytuacji zorganizowa\u0142a pracowni\u0119 wyrob\u00f3w ceramicznych. W 1941 roku powr\u00f3ci\u0142a do\u00a0Warszawy, gdzie wraz z rodzin\u0105 musia\u0142a \u017cy\u0107 w ukryciu. W 1943 roku zosta\u0142a aresztowana na\u00a0ulicy i nie wr\u00f3ci\u0142a ju\u017c do miejsca, w kt\u00f3rym si\u0119 ukrywa\u0142a. Dok\u0142adne miejsce, data i okoliczno\u015bci \u015bmierci Julii Keilowej nie s\u0105 znane.<\/p>","protected":false},"author":1,"featured_media":115,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-71","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/projekt-repetycja.pl\/en\/wp-json\/wp\/v2\/posts\/71","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/projekt-repetycja.pl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/projekt-repetycja.pl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/projekt-repetycja.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/projekt-repetycja.pl\/en\/wp-json\/wp\/v2\/comments?post=71"}],"version-history":[{"count":31,"href":"https:\/\/projekt-repetycja.pl\/en\/wp-json\/wp\/v2\/posts\/71\/revisions"}],"predecessor-version":[{"id":473,"href":"https:\/\/projekt-repetycja.pl\/en\/wp-json\/wp\/v2\/posts\/71\/revisions\/473"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/projekt-repetycja.pl\/en\/wp-json\/wp\/v2\/media\/115"}],"wp:attachment":[{"href":"https:\/\/projekt-repetycja.pl\/en\/wp-json\/wp\/v2\/media?parent=71"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/projekt-repetycja.pl\/en\/wp-json\/wp\/v2\/categories?post=71"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/projekt-repetycja.pl\/en\/wp-json\/wp\/v2\/tags?post=71"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}